In-person learning delayed until Feb. 15. Classes start online Feb. 1.
This exhibition features wide-ranging examples of the immersive learning experiences that the Gallery has provided to students during the last decade.
Housed in a former church in the gothic-revival style, the Suzanne H. Arnold Art Gallery hosts five to six exhibitions a year, with loans from major national and regional art museums, galleries, and collectors. Exhibitions are made possible by The Friends of the Gallery, the Gallery's membership group, as well as other generous sponsors.
This exhibition features wide-ranging examples of the immersive learning experiences that the Gallery has provided to students during the last decade. In conjunction with thematic exhibits, such experiences foster a greater cultural awareness that has applications to our campus academic programming and the wider community. Artwork from the Lebanon Valley College Fine Arts Collection and original student work, a multitude of research projects, internships, and independent studies highlight our rich exhibition history. Achievements and Aspirations not only invites visitors to view students’ past achievements but also provides an opportunity to preview future directions of the Gallery.
The Gallery is currently closed to the public due to the pandemic, but when it reopens it will resume its regular schedule, as noted below.
Hours
- Wednesday: 5—8 p.m.
- Thursday-Friday: 1—4:30 p.m.
- Saturday-Sunday: 11 a.m.—5 p.m.
- By appointment for tour groups.
01.7.20
Danny Lyon Photography Exhibit to Open at the Suzanne H. Arnold Art GalleryDanny Lyon: Memories of the Southern Civil Rights Movement will run from Jan. 24–March 22, 2020, at the Suzanne H. Arnold Art Gallery of Lebanon Valley…
Gallery
09.19.19
Insider/Outsider to Open November 1 at the Suzanne H. Arnold Art GalleryInsider/Outsider will run from Nov. 1–Dec. 15, 2019 at the Suzanne H. Arnold Art Gallery of Lebanon Valley College.
Gallery
The Studio Art Thesis Exhibition 2020 presents the work of 12 students in the program's capstone course Directed Studio (ART 440).
The exhibit spans the ongoing development of social realism, which established itself as a strong current in American visual art beginning with the Ashcan School in the first decade of the 20th century. Insider/Outsider follows this current into the 21st century with paintings, prints, and photographs of contemporary visions of looking at the overlooked to further social activism.
In 2018, the Palmer Museum of Art, Penn State, curated a retrospective of G. Daniel Massad, A Small Radius of Light, that featured signature works spanning five decades borrowed from public and private collections. Borrowing heavily from that exhibit, with generous assistance from the Palmer, this show poses an open-ended question as to the current direction of the artist’s work.
The Great Depression was the catalyst for a tremendous outburst of creative energy in America's photographic community. The devastation wreaked upon the country inspired a host of socially conscious photographers.
Examining combat-themed art of the twentieth and twenty-first centuries, Witness to War provides a poignant introspective of the lived experience of war and its aftermath.
Comics Unstripped joined the burgeoning wave of scholarly introspection on this previously overlooked mass medium. Incorporating research from a spring 2018 course on comic art, the exhibition not only examined the historical development of comics as an art form, but also explored comics as visual communication.
Christianity, Hinduism, Islam, and Judaism, provide the focus of this exhibition exploring sacred art. A variety of religious objects representing themes of image, text, and ritual provides a lens with which to explore these unique traditions and the ways in which they intersect.
This exhibition paired the work of some of the most important abstract artists painting in the early post World War II era with the work of Toshiko Takaezu, an American ceramic artist and painter.
This exhibition, organized by the Aperture Foundation, incorporated some of the most powerful images from Mark's long-term project, Streetwise Revisited.
This exhibition presented an architectural model designed by students in the LVC Reimagined course taught by Dr. Grant Taylor.
This exhibition explored this renowned artist's engagement with literature, and the process of creating meaningful visual solutions that expand and enliven a narrative.
