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A giant of post-War documentary photography and film, Danny Lyon helped define a mode of photojournalism in which the picture-maker is deeply and personally embedded in his subject matter.
Housed in a former church in the medieval-revival style, the Suzanne H. Arnold Art Gallery hosts five to six exhibitions a year, with loans from major national and regional art museums, galleries, and collectors. Exhibitions are made possible by The Friends of the Gallery, the Gallery's membership group, as well as other generous sponsors.
A giant of post-War documentary photography and film, Danny Lyon helped define a mode of photojournalism in which the picture-maker is deeply and personally embedded in his subject matter. Lyon began his photographic career in the early 1960s as the first staff photographer for the Student Nonviolent Coordinating Committee, a national group of college students who joined together after the first sit-in by four African American college students at a North Carolina lunch counter. From 1963 to 1964, Lyon traveled the South and Mid-Atlantic regions documenting the Civil Rights Movement. Exhibition organized by art2art Circulating Exhibitions.
Hours
- Wednesday: 5—8 p.m.
- Thursday-Friday: 1—4:30 p.m.
- Saturday-Sunday: 11 a.m.—5 p.m.
- By appointment for tour groups.
The exhibit spans the ongoing development of social realism, which established itself as a strong current in American visual art beginning with the Ashcan School in the first decade of the 20th century. Insider/Outsider follows this current into the 21st century with paintings, prints, and photographs of contemporary visions of looking at the overlooked to further social activism.
In 2018, the Palmer Museum of Art, Penn State, curated a retrospective of G. Daniel Massad, A Small Radius of Light, that featured signature works spanning five decades borrowed from public and private collections. Borrowing heavily from that exhibit, with generous assistance from the Palmer, this show poses an open-ended question as to the current direction of the artist’s work.
The Great Depression was the catalyst for a tremendous outburst of creative energy in America's photographic community. The devastation wreaked upon the country inspired a host of socially conscious photographers.
Examining combat-themed art of the twentieth and twenty-first centuries, Witness to War provides a poignant introspective of the lived experience of war and its aftermath.
Comics Unstripped joined the burgeoning wave of scholarly introspection on this previously overlooked mass medium. Incorporating research from a spring 2018 course on comic art, the exhibition not only examined the historical development of comics as an art form, but also explored comics as visual communication.
Christianity, Hinduism, Islam, and Judaism, provide the focus of this exhibition exploring sacred art. A variety of religious objects representing themes of image, text, and ritual provides a lens with which to explore these unique traditions and the ways in which they intersect.
This exhibition paired the work of some of the most important abstract artists painting in the early post World War II era with the work of Toshiko Takaezu, an American ceramic artist and painter.
This exhibition, organized by the Aperture Foundation, incorporated some of the most powerful images from Mark's long-term project, Streetwise Revisited.
This exhibition presented an architectural model designed by students in the LVC Reimagined course taught by Dr. Grant Taylor.
This exhibition explored this renowned artist's engagement with literature, and the process of creating meaningful visual solutions that expand and enliven a narrative.
