| Using traditional methods in a variety of media, this essential studio course explores drawing as a way of seeing and recording visual information from the world around us. Principles of composition and explorations of personal expression are also introduced. 3 credits. |
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| An introduction to art and architecture in its historical and cultural context from the ziggurats of Mesopotamia and the pyramids of dynastic Egypt to the temples of ancient Greece and Rome, the mosaics of Byzantium and the illuminated manuscripts and soaring cathedrals of medieval Europe. Attention is paid to skills in critical description and visual analysis. 3 credits. |
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| Through the use of time-honored materials - plaster, clay and wood - this studio course investigates three-dimensional form as a basis for art and design. Modeling, carving, mold-making and assemblage are introduced as essential sculptural processes in a variety of projects. 3 credits. |
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| This course explores the technical and conceptual elements of fine-art, film-based photography. Students are introduced to the operation of the camera, processes of film development and black-and-white printing, compositional and aesthetic principles, and thematic explorations. Single lens reflex camera with manual mode required. 3 credits. |
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| An introduction to the fundamental elements of art and design. Students work with graphic symbols, theories of visual perception, principles of composition and color interaction in a variety of studio projects. 3 credits. {Cross-listed as DCOM 255.} |
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| Using art-historical examples, this course introduces the physical and visual properties of paint. Through a variety of projects, students explore the expressive potential of this medium and learn basic techniques of professional studio practice, such as constructing a painting support and working safely with paint. Prerequisite: ART 105 or permission. 3 credits. |
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| Students explore a number of essential ceramic techniques, such as pinch, coil and slab construction, wheel-throwing and a range of low- temperature surface treatments. The course focuses on fundamental principles of design, with reference to ceramic history and contemporary uses of the medium. 3 credits. |
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| In this studio course students explore a variety of techniques and approaches central to the history of printmaking, including relief printing, intaglio, collographs and monotypes. Students also learn how prints are handled and exhibited. Prerequisite: ART 105 or permission. 3 credits. |
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| Focusing on the late thirteenth to the end of the sixteenth century, this course offers a comprehensive survey of the major monuments, themes and developments of Renaissance art in Europe. Works by Giotto, Van Eyck, Brunelleschi, Botticelli, Durer, Michelangelo, Raphael and Titian, among others, are examined. Particular attention is paid to the antique tradition in the arts, development of the professional artist, church patronage, and the development of modern political and economic systems. Prerequisites: ART 100 or ART 112 or ART 212. Writing process. 3 credits. |
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| This course uncovers the roots of modernism by tracing patterns of change in the art of France, Spain, England, and the German states from the 1780s to the 1860s. Painting and sculpture are examined in the context of political unrest, urban and industrial expansion, colonialism, the lure of the Orient, new criticism and the burgeoning art market. Artists include David, Goya, Friedrich, Constable and Courbet. Prerequisites: ART 112 or ART 212. Writing process. 3 credits. |
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| The course will focus on blending the creative and technical aspects of developing electronic images. Students will apply traditional art methods and techniques to the electronic canvas. Additionally, the course will serve to provide a historical perspective of electronic imaging and examine the limitations and possibilities of working in the electronic medium. 3 credits. |
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